An audio interface is like that bridge that will connect your microphone or other audio sources to your computer. In podcasting, The Best Audio Interface will work as a translator between the real world sound and the digital the computer.
When you’re podcasting, you obviusly want your voice or your guests’ voices to sound crisp and clear. That’s where the audio interface will come in. It will take the analog signal from your microphone and will turn it into a digital format that your computer can work with. This is important because it will ensure your podcast doesn’t sound like it’s recorded in a tin can or such.
FOCUSRITE SCARLETT 2I2
The Focusrite Scarlett 2i2 with its two high-quality microphone preamps and sample rates up to 24-bit/192kHz, will catch the audio with clarity and detail. Being One of the best budget audio interface in the market, 2i2’s versatile inputs accommodate both XLR and 1/4″ connections, allowing you to connect microphones, instruments, or line-level sources.
It’s Designed for ease of use, the 2i2 features intuitive gain controls, direct monitoring options, and easily accessible headphone and speaker outputs. Its “Air” mode will add a subtle brightness to recordings, enhancing vocal presence.
- Cost – $200/£170
- XLR Inputs – 2
- Size – 19.51 x 5.31 x 3.35 cm
- Weight – 640g
- Gain range of up to 69dB (4th Gen)
- Frequency response of 20-20k Hz
Why FOCUSRITE SCARLETT 2I2 is the best suit for you?
The Focusrite 2i2 serves as an important component, functioning as a USB interface. This device plays a good role by taking the audio signals from both Audio-Technica 2100 microphones and transmitting them directly into your computer. This will not only simplify the recording process but will also ensure a crisp, synchronized audio output that captures both voices with clarity.
What makes the Focusrite 2i2 particularly valuable in this setup is the ability to facilitate a transition from a solo podcast to one with a co host. By incorporating this USB interface, you can eliminate the need to maintain your entire setup when expanding to a two-person format. It maintains the user-friendly plug-and-play approach and ensures a smooth transition for both beginners and those looking to grow their podcasting.
Additionally, the Focusrite 2i2 provides you with greater control over your audio settings, allowing for adjustments to achieve the ideal balance between your voices. This feature ensures that your podcast maintains a professional quality with sound, even as you introduce new elements in the party.
FOCUSRITE SCARLETT 2I2 Customer Opinions
We approached some customers and users. Here are some honest feedbacks from them:
Jesus Vazquez says
It’s an easy audio interface to use. I wasn’t very familiar with audio tech before I purchased this item. However, with the software that is used with this interface made it simple and easy to understand. I use this interface everyday for school, work, and even gaming with friends. I love the control of sound quality I have and will continue to have.
The only downside to this item is the software you need to download, and it doesn’t come with its required cable. Nevertheless, this is a great purchase that will be in my computer setup for the next few years. Every penny spent worth and more! the additional software and plug-ins are also a good addition to value.
JT says
I tested with different microphone across with 4th gen Focusrite Scarlett 2i2, UA Volt2 and Presonus Relvelator IO24. My conclusion is:
1- Volt 2: best overall but no loopback channel
2- Scarlett 2i2: best if combined with Shure SM7dB, it’s tuned for this microphone, loopback channel included
3- Revelator IO24: best for budget, loop back channel and universal control with FX built in.
Alvaro Says
Great audio interface, works great, very easy to install, came with everything you need, works great with guitars and mic. Very versatile to work with almost any DAW, do I prefer use it with Protools than Ableton Live.
Not five stars because I receive got interface the same day that 4th gen was released and brand doesn’t have upgrade/recall program for really new costumers, and dont shows any warning about the generation upgrade.
Chris says
I’ve had my 2i2 for about a year now and it has been a terrific interface that has met my needs.
Just recently though, I had the idea of recording my guitar with both inputs at the same time: Input 1 connected to a mic that is recording my amp audio, and Input 2 connected directly to my guitar chain by way of A/B/Y pedal to capture the clean sound in parallel.
As expected the device supports this, however in this configuration I get audible feedback from the device that gets picked up in my signal chain. It’s loud enough that my tuner several feet away detects it as an F#.
I looked into troubleshooting solutions online and discovered other users who have encountered this issue. The only solution I found involves purchasing a separate USB adapter that powers the interface via wall outlet instead of USB-C, which quiets the feedback. I admit I find it frustrating to need to purchase something else to solve this problem, and am considering just replacing this unit outright with a different brand.
If you aren’t planning on doing anything like this, I wouldn’t expect you to have any issues. If you’re just starting out and don’t have much experience in this space, I do recommend this model as a more affordable interface that you can learn with.
Austin Says
5.0 out of 5 stars I love it. The sound Quality is amazing.
I do video edits for tiktok and I talk over each one of them. This 2i2 4th Gen has stepped up my voice audio game significantly. I’m in love with it. I have a Shure MV7 and before I ordered this Scarlett 2i2 4th Gen, I was using a $50 fifine ampligame mixer for my MV7 XLR mic. The Scarlett literally destroys the fifine mixer I was using. The sound Quality is so much better. It’s night and day. This Scarlett 2i2 4th Gen also has 69db of gain. That’s impressive. You can run an SM7B off that alone without a cloud lifter. All the previous 2i2 generations had like 57db or something like that, and it’s just not enough. I have my gain at about 75% for my MV7 and it sounds amazing.
Roland Says
I am absolutely disappointed in the Scarlett Solo’s performance for microphone gain, I hardly even use a very power hungry mic and it sounds quiet at maximum gain. There is a USB-C port to my microphone and that sounds equal to the XLR input into my Focusrite Scarlett Solo..
That isn’t even the worst problem however, every few hours of usage on my computer the headphone jack will just go deafened. You can replug in the headphone, go ahead and check all your device inputs and yup it’s all fully connected with volume up, but no audio output at all from Focusrite. My drivers are all up to date, the software, and it’s totally unused brand new. The only way to solve this is to completely restart your pc, I looked up this issue and apparently it’s a common problem and that is the *only* solution.
Additionally, the microphone delay is also very noticeable, almost feels like a whole second before it registers despite it being nearly perfect on direct monitor and lower buffer size doesn’t help at all.
I was super excited for this interface and researched it immensely, even choosing the 4th gen price rather than 3rd gen for $50 more but wow, I hardly ever write a product review but the disappointment after using it is just awful. I heavily recommend people to choose an alternative interface because the last complaint is how the software for Solo Control 2 is downgraded into a simple analogue monitor that changes nothing but dB.
rODE RODECASTER PRO ii
The RØDECaster Pro II audio interface is maybe the world’s most powerful all-in-one solution for podcasting and live streaming. This best budget audio interface will offer a superb audio quality and expansive features while being incredibly easy to use, which makes it the tool for beginners and professionals alike.
It includes four microphone inputs with studio-grade preamps for recording crystal-clear audio, as well as smartphone, USB, and Bluetooth channels. Eight programmable sound pads, with eight banks available allow you to load up to 64 sounds for instant playback during your podcast or stream.
Cost: $699
Headphone Output Power: 250 mW
Network Connectivity:
- Wi-Fi: 802.11 g/n/ac (2.4 GHz and 5 GHz)
- Ethernet: 100/1000 Mbps
RODECASTER PRO II Customer Opinions
We approached some customers and users. Here are some honest feedbacks from them:
Holly Starks Says
Having Rode Rodecaster pro II, made me very happy so far, I will say this I do wish this had more Audio Routing, more like my GOXLR.
Pros
1. Love being able to record without needing my PC
2. 4 headphone jack inputs
3. smaller size than the original
4. More Faders than my GO XLR (full size)
5. can be fully used with only a Good Portable battery
6. Being able to use an External HDD directly plugged in to the device
7. Being able to control OBS Scenes, allowing me to free up some of my Stream Deck
8. Finally love being able to save each Show presets,
CONS
1. The plastic feel
2. Audio Routing not being as good as I was hoping it would be after launch (I am glad that with Beta FW1.0.5, that it is here kind of)
This is a great buy overall, not perfect yet, I would say this is a great buy if you are in the need for Audio Interface as of to Kind of a Stream Deck, Go XLR all in one.
David Walker says
This is one of those products that just simply works. It’s beautiful, simple, intuitive, and does exactly what it is intended to do, in the fastest, most convenient way. It is a breath of fresh air. Rode really have outdone themselves with this machine. If you can afford it, just get it. I don’t think I have seen or heard a bad review of the Rodecaster Pro II, and having had the pleasure of using it, I totally understand why. It’s just perfection.
Ricky D White says
What’s not to love about the Rodecaster Pro 2? For starters, it has six inputs four of which accept either XLR input or instrument input such as guitar or keyboard. The other two can be assigned to either usb/Bluetooth/usb chat/smart pads. All the physical faders are bidirectional meaning they can accept input like a mic or an output device such as a BT speaker. The three other faders are virtual that are controlled by the knob just to right of display panel (see photo), again this can either an input/output assignment.
The faders: There are six physical faders that are studio quality to which the display panel shows their position on the board. There is a virtual indent for each fader on the display when you move to fader to the unity gain position indicated by a bold line that is longer than the other two 3/4 of the way up. The three buttons, one above and two below each fader allow you to mute your mic/instrument or when you press the green listen button, this will allow you to listen to the audio before it’s sent to the output stage of the board. The buttons above each fader, access the gain control for your mic as well as the Aphex processing options. In addition, the buttons above each fader can be assigned a colors that shown when you go into channel options.
Smart Pads
The smart pads can be used to play sound clips, voice effects, fade in/out. There are eight pads per bank for a total of 40 configurations. The smart pads can be assigned a physical or virtual fader as well.
On the rear of the unit: There are four physical XLR and 1/4 inch inputs either for one or the other.
The Right and Left monitor speaker output.
The four headphone outputs are 1/4 inch stereo connection. The output level for each is controlled by its own volume control knob.
Two USB C ports that are bidirectional.
Micro SD card slot: it is strongly recommended that you purchase an SD card that has a write speed of at least 100mb per second.
The third USB C port is for the power connection which uses USB PD. The red power switch is located next to it.
All of these features add up to a very impressive home studio mixer that any podcaster or musician will be very happy with.
Brian M. sAYS
I had a podcast in 2019 – 2021 and the buy in was over 3 grand and took a month to get right. This little mixer and pod mic sound BETTER than my broadcast hardware system in Idaho.. I am floored.. I can’t recommend this thing enough, Bluetooth- What? Multitrack on USB what? cmon man this thing is it! Quiet preamps and sooooo easy to set up, one step Iphone connectivity, LOL I had to buy 250.00 worth of gear on my Yamaha mixer.. JUST BUY IT! YOU WILL THANK ME :p
PRESONUS REVELATOR IO24
The StudioLive Voice Effects presets, tailored for podcast vocals, creates clarity. The Bluetooth 5.0 connectivity enables hassle-free integration of remote guests or phone interviews.
Dual headphone outputs with individual volume control accommodate multiple hosts or guests for real-time monitoring. The bundled Studio One Artist software supports recording, editing, and production processes. Notably, the loopback functionality makes including external audio simple, which streamlines content.
Cost: $99
Compatible Devices: Tablet
Supported Software:
- Studio One Artist
- Ableton Live Lite
- Studio Magic Suite
Connectivity Technology: USB
Number of Channels: 2
PRESONUS REVELATOR IO24 Customer Opinions
We approached some customers and users. Here are some honest feedbacks from them:
Rob Says
This unit is frankly perfect for me and would make a very solid and versatile addition to just about any audio setup. If you’ve got a basic USB audio interface like the Focusrite Scarlett Solo, this is a fantastic upgrade. If you’re considering the GoXLR, especially the mini (as I was), you should consider this device instead. I’ll be comparing them a bit below as I speak to a few of the features that are most relevant to me.
Cross Platform: This unit is completely standards compliant, which means it works on both Windows and macOS (and I suspect Linux as well, though I haven’t tested it myself yet; I have tested both Windows 10 and macOS Big Sur and Monterey, including with M1 Apple Silicon). The GoXLR relies on their proprietary software so you’re out of luck if you use anything other than Windows.
Integrated DSP (digital signal processing): This allows you to add a filter, gate, compressor, equalizer and limiter to the inputs that run on the device itself as well as a few voice effects (Doubler, Vocoder, Ring Modulator, Comb Filter, Detuner, Delay, and Reverb). This means you get all those DSP features without having to run specialized software and waste processing time on my computer (no VST plugins or VoiceMeeter!). This fact is probably the single best feature.
Virtual Routing and Mixes: Allows you to route different audio streams separately without any additional hardware. This is similar to what the GoXLR does. I haven’t tested this extensively but it is very similar so I think they’re about comparable.
Stephen Says
I had tried the Presonus Studio 24c first and whilst that is a good little audio interface, it wasn’t suitable for my specific needs.
I have an old Boss BR-1180 digital studio mixer with a load of old recordings that I’m currently transfering over to the computer. With no USB input on the Boss, the only way to do this is to record everything in real time using a DAW.
I connected the Studio 24c using an RCA to TS cable and whilst this enabled me to record in stereo, I was unable to monitor the recordings on my Boss machine in stereo prior to recording them in the DAW.
Enter the Revelator io44. Whilst this appears to be more geared towards podcasters it’s actually perfect for my needs. I currently have the Boss connect via an RCA to TRS cable and everything sounds great. I’m able to monitor in stereo prior to recording and I’m finally able to get these old recordings into my DAW for further editing.
My only word of warning is make sure you’re plugging this directly into your computer or if you cannot, into a very high quality hub (I discovered the hard way that my hub is apparently garbage, which is unrelated to the issues below). As with many other audio devices, especially those with DSP type features, if the unit is not getting quality power you will have issues.
Dustin G. Says
I honestly can’t say how nice a system this really is. It’s compact, simple to use, software isn’t buggy or overly difficult to use but could use some finer polish to work. I get excellent, clean sound out of my Samson Q2U mic without having to keep the mic in my face all the time.
Having the XLR ports on the front of the device and the headphone jack on the back is kind of an annoying choice, but one I can work around.
The one drawback is in how Windows sees the Mic and Instrument inputs. Unfortunately, these are one input according to Windows and cannot be separated. At the moment it isn’t a huge issue for me as I don’t presently have a guitar or other instrument, but it will become so once I do get a guitar again.
Also of note is that while it does have MacOS support, it does not have software for use in Linux, which would have been useful as well.
All-in-all it’s a really good product that does most of the same things as a particular competing device that costs more than twice as much, but doesn’t have all the switches, buttons and knobs. It has helped improve the audio quality of my stream in crazy ways. Highly recommend.
Will Stowell Says
This interface has some pretty cool promises, but if you plan on using this with an iPad or any PC with potential power issues, might have a bad time.
When using an SM7b, you really have to boot the gain almost all the way. Didn’t really hear hiss with the pre-amp pushed. Once I put a cloudlift on it though, got a really bad buzz. Tried using an external powered USB hub and it still caused problems. I could put my hand on the metal case and make it go away.
When plugging in a headset in to the port, I found once the mike pre got passed a certain gain stage, it introduced a TON of noise and clicks. So unusable pretty much.
With these problems, I didn’t really get to dive into the effects much. I did update to the latest firmware. At this point, I’ve just returned this and will look around for a different USB interface, the market is full of amazing options to settle for these issues.
Universal Audio Apollo Twin X QUAD Heritage
I surveyed some users on this, Many users have faced issues when purchasing the Apollo Twin X Duo thunderbolt version for their Windows computers, especially when it comes to compatibility with laptops. However, my client, James, confirms that it does work on Windows desktops, provided the system has Thunderbolt 3 or 4 support, not just USB-C.
- Cost: $1,300
- Compatible Devices: Microphone
- Supported Software:
- ADAT
- S/PDIF
- Connectivity Technology: External Line Return
Universal Audio Apollo Twin X QUAD Heritage Customer Opinions
Gavin Says
First off I can not say this does or doesn’t work for Windows laptops.
As far as desktops go, you need a motherboard that either allows thunderbolt 3 or 4 (not just USB-C). I have an Asus motherboard “PRIME Z490-A” which allowed me to buy a “Asus Thunderboltex 4” physical card upgrade to my system. Upon plugging it in to the motherboard properly and I turning it on in the motherboard bios this Apollo device worked perfectly fine without issues.
In short, this works on windows desktops. I’ve recorded in Pro Tools, I’ve used this producing in FL. At this moment of review the device struggles to work with FL, but works fine when changing the device to asio4all and making the UAD the out and in. (Still wouldn’t record in FL that’s why I have Pro Tools)
Make sure you have “Thunderbolt 3” and can transmit data back and fourth in that port before you purchase this for a windows only machine.
DEVICE REVIEW:
As far as the device review goes. Wow, I’m amazed at the quality. Build, software, and sound is insane hands down.
The ability to add a touch of compression and De-Essers to your voice before touching the interface noise in a recording chain is next level for someone without the ability to have a huge physical outboard rack.
For someone just getting into producing or recording, this is definitely a professional device. I would get a Focusrite starting out personally because of price, but the upgrade from that to this is a light year of difference in sound quality for the recordings and playback.
Roger Lane Says
Upgrading from a low budget consumer interface (UMC202HD), the difference is night and day. Conversion, dynamic range, preamps, noise, io and software are all top notch. Clean gain on inputs and outputs. Stereo imaging is more defined. Plug-ins are pricey but some of the best available next to actual hardware. I produce and engineer hip hop and this interface more than anything helped me focus more on the music because it takes care of so many redundant technical aspects.
This interface alone won’t solve all your problems but it will make so many things across the board so much better and more convenient. If you can afford to enter the UAD ecosystem, make this purchase. You will not be disappointed.
Aden Says
I put off buying one of these for a while. Didn’t want to spend the money. I thought I could get the same sound from a Scarlett 4i4. I used the scarlet for a while, and truth be told it is a good interface. However, it is not in the same league of the Apollo twin. Not even close. After I received the Apollo twin, I did side-by-side comparison recordings, and there is a very audible and distinct quality difference between the two. Furthermore, the scarlet runs off USB bus power, and thus only has so much amplification, including for monitoring, before the sound gets distorted. The Apollo twin suffers from none of these problems. it is an incredibly high quality, audio interface, and given the quality of the materials, it is worth what they charge for it. Having said that, here are a few nits:
Legacy Plug-Ins
It comes with “legacy” plug-ins. They are pretty good. Although at this price, I don’t know why they don’t give you a coupon to choose two or three free plug-ins. Unfortunately, their plug-ins are a fortune.
Slippery Knob Design
The big knob is slippery and the edges are sharp. There are no grooves for your fingers. They should smooth it and add some grooves.
Non-Scalable On-Screen Interface
The on-screen interface is not scalable. Buttons and text are tiny. You would think at this price point they would at least give you a screen interface that was legible.
Massive Software Package
Their software package that you must install to use the unit is massive and over 3 GB. This is because they include every single plug-in they sell. I know why they do this for marketing and sales, but it’s wrong to load all these plug-ins without giving the user the ability to uncheck them and not install them. It’s actually quite intrusive and totalitarian (i.e., not user-friendly). Do better UA.
Power Cord Locking Feature
You have to twist the power cord to “lock” it into position where the unit won’t turn on. This is a good feature; however, they should make it well known because evidently many people, including myself, couldn’t figure out how to turn the unit on. They could’ve saved themselves a lot of support requests by simply putting a little red tag or something on the line.
Low-Resolution LED Indicators
The LED indicators on the unit are not high resolution. They barely move, regardless of whether the content you are playing is soft or loud. They should have a much higher resolution LED at this price point.
Lack of Headphone Jacks
There should be two headphone jacks, but there is only one.
PreSonus AudioBox USB 96
The PreSonus AudioBox USB 96 25th Anniversary Edition is an excellent choice if you’re looking for something good at a reasonable price. The flawless electronics remain exactly the same, however the 25th Anniversary Edition improves the interface’s appearance. This USB audio interface offers up to 24-bit/96kHz recording along with two great-sounding preamps.
It has a separate volume control for your headphones, a convenient clip indication to guarantee correct recording levels, and +48V phantom power for your condenser microphones. PreSonus’s Studio One Artist DAW software and over 6GB of additional content are included, which is the best part.
- Cost – $99/£72
- XLR Inputs – 2
- Size – 4.45 x 13.97 x 13.97 cm
- Weight – 912g
- Gain range of up to 35dB
- Frequency response of 20-20k Hz
PreSonus AudioBox USB 96 customer opinions
Arroyo says
Misunderstood Expectations
There are plenty of reviews here that show
1) they have no clue how this works and
2) somehow expect a $1000 audio interface for $99? Well, this box has everything you’ll need for current and FUTURE needs.
Ideal for iPhone Music Production
Chances are you are starting to make music using your iPhone. This works perfectly, but you’ll need the Camera Connection Kit (CCK, ~$35) and an original one if you want to save a LOT of headaches later. If you are using your laptop, then no need for the CCK.
MIDI Connectivity
This has MIDI IN/OUT, an integral part of electronic music. You might not need it now, but later when buying hardware, you’ll be happy you picked one box with MIDI. With the CCK, you’ll be able to record video with DIRECT LINE IN AND IN STEREO. No horrendous sound from the phone’s internal mic. Connecting this box to the iPhone/iPad gives you crystal-clear sound. Yes, you’ll also need mics (like Shure SM57 and cables), but it’s worth it. Just go to YouTube and you’ll hear the difference.
Excellent for Podcasting
For podcasting, having 2 mics for the conversation while using the phone for VIDEO is just amazing. Add a Sandmarc iPhone lens and you’ll be golden.
ASIO Compatibility
This works with ASIO beautifully. PreSonus has been working with ASIO for years, and it shows. Other, more obscure audio interfaces could be more finicky with Windows, but since PreSonus has already sold thousands of these, they have plenty of reports to have it fixed. The more popular the item, the more chances you’ll have finding solutions in forums, Reddit, etc.
Adequate Software
The included software is adequate as well. Obviously, they won’t include the full version (the full version of Ableton is $750, ffs). Ableton Live Lite offers 8 tracks with plenty of free sounds and synths, so it’s a good way to give it a go. This isn’t a 30-day trial or anything; the limit is 8 tracks, and if you buy the full version, tracks are limited only by how powerful your computer is. So those reviews about the software not working… sorry, person, this hobby ain’t for you. Cannot speak about PreSonus’ Studio One since I don’t use it.
Design Considerations
For the negatives, I think the knobs are somewhat crowded, and it would be cool to have a big volume knob on top like other audio interfaces. But in my case, once I find the sweet spot, I rarely touch the knobs and control volume and other things in the software. Also, no knob on top allowed me to put the iPad on top, which has a magnetic case, so it’ll stick securely with the audio interface (didn’t plan it, but hey, better than expected!).
Recommendation
I would recommend it to a friend, and I wouldn’t sell mine even if I have a big mixer; it’s too versatile when you know all its possibilities.
Kwan says
I’m not even a hobbyist so take this as you will. I needed a way to pull in two sound inputs for a training video. It was problematic to have two USB inputs to the OBS Studio app I was using on Windows 11. When both mics were plugged in it was giving errors about USB bandwidth. An external audio interface was the recommended solution.
Setup was easy enough. No external drivers needed, just plug it in to the USB port. I’m using dual Audio Technica AT2020 mics and a set of cheap monitoring headphones. Windows detected the device and it was immediately available in OBS Studio.
Configuring the contols took a little longer. I found that I had to turn the gain on both mics almost all the way up. There’s just a small area where the input was loud enough without suddenly hearing a lot of background white noise. I.e., it didn’t gradually get louder but sounded almost like a switch was flipped.
Once recorded the sound was quite good. This may be more to do with the mics themselves, but there was no background noise as I’d heard in the headphone monitor.
The device also worked fine with a Linux desktop.
Only concern I had is that the USB interface is the older style. I don’t know if this limits the bandwidth or if it even matters, but it’s just another cable to carry around.
John C. Says
It’s a great buy and you will be happy. Just know that unless this is for your teen to start out on, you are working on some of the noisiest preamps in the audio interface line up. You can pay more for a seperate solution to that, so you aren’t so much saving money with this. It is still a great buy and am really happy especially because of the bundle of incredible software that in fact does put you back in the realm of saving money, and real producers are going to love for the treasure chest of digital audio workstation integrations.
I love straight to USB power. I only went with this because they were smart and included the DAW software, so hopefully they don’t stop with that because it makes one of the noisiest preamps more seductive and I was willing to buy the solution to that problem separately, though that hit hurts. Still, go for it. Get into Studio One.
Zoom PodTrak P4
Podcasters used to record their content using equipment that was primarily made with music in mind. That was not too long ago.
But during the past few years, podcasting has matured. Heavyweights in audio equipment now consider the medium to be worthwhile investing in. That was virtually confirmed with the release of Rode’s Rodecaster Pro in late 2018. Zoom, well-known for its ubiquitous recorders like as the H5 and H6, has strengthened it even more. They recently announced the PodTrak P4 — and it’s built exclusively for podcasters.
- Cost – $149/£150
- XLR Inputs – 4
- Size – 112mm x 155mm x 47 mm
- Weight – 290g
- Gain range of up to 70dB
- Frequency response of 20-20k Hz
Zoom PodTrak P4 Customer Opinions
Gotell Says
I’ve owned and used the Zoom P4 for over 6 months at the time of this review. It has held up nicely with no issues. I’m quite gentle with it, so I can’t speak to its durability.
Pros
- Crystal clear audio quality: The audio is impressively clean, providing professional-level sound.
- Plenty of clean gain: The unit offers ample gain for high-quality recordings.
- Independent +48V phantom power & mute: Each of the 4 mic inputs has independent +48V phantom power and mute options, a feature many interfaces and mixers lack.
- Lightweight and portable: While I haven’t traveled with it, the P4 is compact and easy to carry.
- Versatile power options: The P4 can be powered using batteries or via 5V USB. When using batteries, they last well beyond typical recording sessions, providing reliable battery backup.
- Phone and computer connectivity: It can connect to both phone and computer, allowing you to send and receive audio from both devices.
- Phone audio interface: I’ve frequently used the P4 to record high-quality audio directly to my phone, and it works wonderfully for clean audio during phone calls.
- Mix-minus feature: The mix-minus function works flawlessly, ensuring no feedback echo during call-in conversations.
- Ample recording time: With a small 8GB micro SD card, the P4 can record hours of audio.
- Simultaneous dual (or triple) recordings: The P4 supports recording to an SD card, a computer, and a phone (or any USB or TRS/TRRS device) simultaneously, making it very versatile.
- Sound pad functionality: It’s super easy to record or load pre-recorded sounds onto the sound pad, and the sound pad has a dedicated volume control, just like the 4 mic inputs and 4 headsets.
Cons
- Limited recording resolution: The maximum resolution is 16-bit/44.1 kHz, while most interfaces and mixers offer at least 16-bit/48 kHz. In practice, though, I haven’t noticed a significant difference in sound quality.
- No XLR or line output: Due to its compact size, the unit lacks XLR or line outputs. While a headphone output can be used as an alternative, the sound quality may suffer with some hiss, particularly at higher volumes.
- Plastic exterior: The all-plastic design doesn’t feel particularly durable, which may be a concern for those who plan on using the unit in rugged environments.
Samuel Willburn says
We love this recorder! It has absolutely changed the game when it comes to recording our interviews for our podcast. It is super portable, easy to use, and the sound quality of the recordings is a million times better than when we were using before. Its nice because you can dial in everyone’s gain levels before recording and hear what you are going to sound like.
What you hear in the headphones is more or less how it will sound on the recording. The ability to connect it to your phone and take interviews from guests over the phone is a game changer for us. The materials could be higher quality and the battery life from just the AA batteries is dismal but you can just use a power brick to avoid that. Overall love this recorder and if you want something portable and easy to use this is it. I wish we would have started with this rather than the first approach we went with.
Nuff says
I’ve done some professional sound for movies and whatnot. When it comes to many things in life, I’m of the “simple/easy is usually better” mindset. I’ve paid a premium for some professional location sound recorders based mainly on how intuitive and easy they’ve been to use. And this little recorder is just about as intuitive and easy to figure out and operate as anything I’ve ever used. In fact, I’ve had no need to even read a manual.
Avoiding the Technical Details
I’ll not get into all the technical side of things. I feel enough reviewers have already done that. Plus, there are YouTube videos and scores of reviews online concerning all the stats. Also, my feeling is many opinions in the AV field are just subjective thoughts based on the reviewer’s needs, prejudices, and biases. What works for one person may not for another. Let’s not get tangled up in the weeds talking about dB, signal-to-noise, etc., over a $200 piece of consumer gear (unless the recordings are totally unusable… which they are not). “I can’t believe this piece of trash isn’t on par with the latest $8k recorder from company X,” said no one ever (or someone totally clueless). Enough rant.
Easy to Use Right Out of the Box
Right out of the box, I figured this recorder out. Everything just seems so logical. Four XLR mic ins on the top, and right below each is a corresponding Gain knob. The knobs are labeled 0-10 and are smooth turning (no click stops). If I had a subtle gripe, it may be that the Gain knobs had a little more tension or a raised piece of plastic next to them to prevent accidental adjustment. This actually happened once when a cord hit the dial.
Intuitive Switches and Icons
Below the Gain knobs are switches with icons. The first two inputs have two switchable positions. First is the icon of a mic, and second is a mic with a lightning bolt. If you don’t know, there are two basic types of mics… powered and unpowered. Guess which is which? So easy. The next input has three selections. The first two are the same, however, the third is an icon of a cell phone. This unit has something called a mix-minus built into it with the ability to interview people on a cell phone. No guess what the third selection is for. The fourth input has three selections as well. The first two are again the same as the other three inputs, while the third position has a USB icon above it. Wow… wonder what that could be for??
Mute Buttons and Headphone Jacks
Under the switches are four single buttons with icons featuring a speaker symbol with a slash over it, representing… Mute. The buttons even light up red when activated. As I hope you’re seeing, this unit is so easy even a trained badger could use it.
On the very bottom of the unit are four 1/4 inch jacks for headphones. Each is lined up with the four inputs, and each has a dial labeled 0-10 for setting headphone volume.
Sound Pads and LCD Screen
In the middle of the recorder is the “complicated” part. To the left are four light-up buttons labeled A-D. These are the four sound pad buttons. Each plays a pre-installed sound clip. The user also has the ability to install their own custom clips. Don’t quote me, but I feel Zoom has some free downloadable sounds. Below the pads is another 0-10 knob to control the Gain of the sound pads.
To the right of the sound pads is the backlit, monochrome LCD screen. The most important info during recording is displayed here: Record Time, each channel level, master level, battery level, and a black dot signifying Record. There’s also a nice “Goodbye” when powering the unit down, lol. One thing I did notice with the screen was that when using AA batteries, the backlight turned off after a short period. When using an external USB power source, the backlight never turned off. This may be a power-saving feature for AAs, and maybe mine were running low. However, I couldn’t find a setting to turn the backlight ON permanently. If the backlight only stays on with a power bank, I’d be wary of using AA batteries. This could be a dealbreaker for people who were only looking to use this with AAs. I mean, the levels and time of recording are pretty important bits of info to be left in the dark on.
Main Buttons and Menu Navigation
Below the LCD screen are the four main buttons of business. Each is labeled with an icon on the button and below, as each button serves dual purposes. The first button is the Menu button, followed by the Play/Pause button (Up Selector), then the Stop button (Down Selector), and finally the Record button (ENTER Selector). I don’t have time to get into the Menu of the unit, however, there aren’t a ton of selections, and I feel it’s as intuitive and easy to navigate as the rest of the unit. It does have lo-cut and limiters for those who care. Above the Record button is a red LED that lights up while recording. It also lights up when the unit is powered ON.
Power and Connectivity
On the right side of the unit is the power button and two jacks. The power button needs to be held in for a second or two when powering the unit On or Off. The two jacks serve several purposes. The 1/4 jack has a cellphone icon next to it. This is where you plug in… your laptop. Work with me, your cellphone for your call-in interviews. The other jack combines with the 1/4 when using the optional Zoom BTA-2 Bluetooth adapter. The $50 adapter is kind of pricey, but if you need it, I guess you need it. I do not.
On the left side is a plastic door behind which the FULL-SIZE SD card is hidden. Some units out there (that I also own) use a MicroSD, which I feel was a huge gaffe. I also mentioned the door being plastic, as some SD slots are covered by rubber (not a fan). The door snaps firmly in place and even takes a little finagling to get open. I don’t see it opening by accident.
Build Quality and Design
Beside the SD slot are two USB-C ports. A little surprise was that the two ports are behind a metal plate. Just a nice touch to add some extra sturdiness. The two ports are for 5V DC power and a USB connection. Both are clearly labeled. However, here is one slight caveat of this unit, and it’s somewhat unavoidable. Since both the ports are USB-C, I feel someone somewhere has already plugged power into the USB connection.
As someone who once did this on an expensive video field monitor, I can tell you the results were regrettable. Plugging a computer connection into the power will probably not do a thing other than confuse you as to why your computer isn’t identifying the unit. However, plugging power into the computer connection… let’s not find out. Only quip about that, but the only other option was to have two different USB connections for each (which makes little sense).
Finally, I’ll mention build quality. Turns out there are many levels of plastic quality. I don’t feel this is constructed from the top-tier plastic used on a space shuttle, but I also don’t think it’s total trash that will melt in the sun. The plastic feels sturdy enough to me. I saw a video that said it couldn’t survive a six-foot drop. I’d also say that I don’t go around dropping my gear to test its durability. I feel it’s durable enough for my needs, which include throwing it in a backpack.
Conclusion
The ideal choice for you will rely on your budget, setup, and particular needs, as I’ve already mentioned. You may have already made up your decision by now after reviewing the sound samples, specifications, prices, and input options.
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